Thursday, 08 March 2007

Guernica and Total War

The Poet's book is out.  On the history and cultural impact of civilian bombing in the 20th century.    You can get Guernica and Total War by Ian Patterson HERE.   It's essential reading.  And elegant with it.

8 Mar 2007 14:52:41 | The Poet

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Don't Believe A Word I Write When I was in Ireland a few years ago, I found a bookshop in Bantry that had a wall of fiction divided into two. The left section was headed BOOKS BY MEN, and I bet you can guess what the right section was. I don't know what the expectation was here - the bookshop owner was very grumpy (a man, but he needn't have been) and I felt disinclined to ask. Were men supposed to gravitate to the BOOKS BY MEN half and women to the other on the grounds that each gender would find what suited them best written by their own sex? Or was it the other way round? That men would read books by women and women books by men, and thereby we would learn about each other and sexual harmony would be encouraged? Or was the bookshop owner simply an obsessive compulsive who owned a bookshop because what better job is there for the ordering and categorising of its elements? I'm very partial to Daunt Books which shelves books not according to author alphabetically, or fiction and non-fiction, or subject, but by geography. All books on or concerning themselves with or by the French are shelved...
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Seriously Uncool At the Same Time: Essays and Speeches by Susan Sontag ed. Paolo Dilonardo and Anne Jump · Hamish Hamilton, 235 pp, £18.99 A Photographer’s Life 1990-2005 by Annie Leibovitz · Cape, 480 pp, £60.00 Susan Sontag intended something like the book which is now published as At the Same Time to be her final collection of essays. After that, says her son, David Rieff, in his foreword, she intended to get on with what she most valued, writing fiction. Edited by her, somewhat differently no doubt, this would, then, have been her next book. As it is, published two years after her death, and put together by Rieff and her assistants with an eye on her preliminary sketch of its contents, it is her last book. Or rather, it is her first posthumous book, since Rieff plans to bring out further collections of her letters, diaries and unpublished writings. A next book and a last book must be read in different ways, even if they are identical in content and in either case written in the shadow of a cancer that she surely knew was going to kill her sooner rather than later. None of these introductions to other people’s...

Jenny Diski

Novelist, essayist, non-fiction writer

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